Six Hundred photos for the opening of summer in Red Feather Lakes.
My first impression this year is that the moose are there and just waiting for me to find them. The few I found within a mile of my place prove that they are on the move looking for the best food.
Environmentally speaking, the Aspen trees have just greened up above 8,000 feet and most of the willows are sprouting fresh green shoots, which is what attracts these hungry ungulates.
I managed to get a full test in of the new kit. I’m shooting with the Nikon D810 using the 200-500mm VR and the Nikon D750 using the 70-200mm f4/VR. No complaints. I don’t have to swap lenses in the field. If I need wider angle, I have a D7200 the 24-120mm VR and a couple of fast & wide primes. I’ve been shooting in predawn light and both cameras handle it well.
I’ll probably take a few days of down time and edit shots. I’m looking forward to getting back out though. The summer is only starting.
A nice little snow storm landed on Denver yesterday and they have been far and few between this season to use an overused cliche.
As a result, my friend Tim and I took the opportunity to spend Sunday morning at Rocky Mountain Arsenal National Wildlife Refuge, Northwest of Denver.
We lucked out with a herd of about 100 or so Bison being positioned in good light near the road.
The kit today. Nikon D750 with the 200-500mm VR and the Nikon D7200 with the 18-140mm VR.
Bison are one of the more difficult larger animals I’ve photographed over the years. Reason being, their fur. Bison fur is very course and thick and doesn’t provide a lot of edge contrast for the autofocus on most cameras to accurately pick up on. End result, I get a higher than normal amount of out of focus shots with Bison. Therefore, I take lots of shots when I’m shooting Buffalo, just to add a little more water to the gravy so to speak.
Couple the fur/focus issue with the fact that we were working in large open fields of snow, and you’re just asking for trouble with the cameras focus and exposure. Today, I cranked in +.7 stops of exposure compensation to make up for metering in an almost solid white environment.